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Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
Hamlet's statement in this scene that his dark clothing is merely an outward representation of his inward grief is an example of his strong rhetorical skill. Much of the play's language embodies the elaborate, witty vocabulary expected of a royal court.
Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless ...
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.
is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition . The speech is recited at the end of the film Withnail and I and the text was set to music by Galt MacDermot for the rock opera Hair
By the end of Shakespeare's play, Prince Hamlet, Laertes, Ophelia, Polonius, King Claudius, and Queen Gertrude all lie dead. An ambassador from England arrives on the scene to bluntly report "Rosencrantz and Guildenstern are dead" (Hamlet. Act V, Scene II, line 411); they join the stabbed, poisoned and drowned key characters.
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
Also available are the complete texts of Hamlet Studies (vols. I–XXV, 1979–2003). Hamlet on the Ramparts is devoted only to two scenes of the play, I:4–5. It has numerous sections on what goes into analysis, facsimiles of some 18th-century editions, and a viewer with which two sets of material can be viewed on the same screen.