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Chicago house music was being licensed to UK Labels by DJ International, Trax, KMS and the Transmat record labels, and with that the music began to expand throughout Europe. Especially the "Jack Trax" compilations, starting in 1987, helped to make rare house records from the U.S. available cheaply in Europe.
Chicago, IL 60625: House: Adonis, Marshall Jefferson, Mr. Lee, Mr. Fingers, ... Chicago house music labels of the 80s This page was last edited on 25 ...
D.J. International Records is a Chicago record label founded in 1985 that specializes in house music, a type of electronic dance music.In the 1980s, DJ International Records released music by key house innovators such as Frankie Knuckles, Ron Hardy (his 1986 remix of the It’s track “Donnie”), Hot Mix 5 member Farley "Jackmaster" Funk (his 1986 track "Love Can't Turn Around"), Steve ...
Warehouse Records is a classic house record label based in Chicago, Illinois, United States. [1]The company was created by Mike Dunn and Armando Gallop in 1988. Together with Trax Records and DJ International Records, among others, Warehouse Records is the major and most important label records in the history of the Chicago house music.
The Warehouse, where DJ Frankie Knuckles helped introduce house music, got landmark status ahead of this weekend’s Chicago House Music The post The Warehouse, synonymous with house music ...
Trax Records was an important outlet for house music in its early days, releasing many classics including "No Way Back" by Adonis (1986), Jamie Principle & Frankie Knuckles's "Your Love" (1988), Larry Heard's "Can You Feel It" (1986), and Marshall Jefferson's "The House Music Anthem (Move Your Body)" in the same year. [1]
The label released almost three hundred records [2] until it closed in 1999. The label relaunched in 2013, following a recent DJ demand for their 90s records. [1] The label is regarded as hugely influential in the history of Chicago house music, and has been described as "ghetto house's Motown". [1]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.