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Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". [8]
The works are considered a masterpiece. Both the monastery and the chapel now form part of the Musei Civici di Padova. [2] Giotto is described as a Proto-Renaissance artist, preceding and paving the way for the early Florentine Renaissance painters, breaking the artistic mold of the Byzantine period by introducing naturalism and depth into his ...
Giotto made an extensive use of chiaroscuro. Details include the rich garments and the crosier of St. Nicholas, the gesture of the Child grasping at his mother's neckline and St. Peter's stole. Similar details were used by Giotto also in Rimini Crucifix and the Stigmata of St. Francis, and have led to the 14th century dating..
It was followed by Giotto's Proto-Renaissance scheme at Padua and many others ranging from Benozzo Gozzoli's Magi Chapel for the Medici to Michelangelo's supreme accomplishment for Pope Julius II at the Sistine Chapel. Giotto painted the large, free-standing Scrovegni Chapel in Padua with the Life of the Virgin and the Life of Christ. Breaking ...
Giotto abandons the iconography of Christ hunched over on the left, typical of Giunta Pisano and Cimabue, and paints him in a more naturalistic pose: the whole body sinks downwards, as evidenced by the oblique arms, no longer parallel to the ground. The head swings forward rather than resting on the shoulder, and the torso also protrudes ...
The two niches with still lifes in the basement are perhaps inspired by Giotto's ones in the Scrovegni Chapel. The delicate and soft features are characteristic of Gaddi's late style. The adoption of night light in the Annunciation to the Shepherds is nearly unique in the mid-14th century painting of central Italy.
Considered an archetypal masterpiece of the Italian Renaissance, [1] [2] ... Roman painting does have important unique characteristics. ... Giotto and Lorenzo ...
They are considered to be the two great medieval masters of painting in western culture. Cimabue, within the Byzantine tradition, used a more realistic and dramatic approach to his art. His pupil, Giotto, took these innovations to a higher level which in turn set the foundations for the western painting tradition.