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This chart is a general guide, but by no means a definitive or complete fingering chart for the recorder, an impossible task. Rather, it is the basis for a much more complex fingering system, which is still being added to today. Some fonts show miniature glyphs of complete recorder fingering charts in TrueType format. [51]
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other ...
The article says that Renaissance-design recorders have a wider range than Baroque ones based on the Ganassi fingerings, but my understanding is that those higher fingerings were probably experimental and not very musical, and that very little of the recorder music from the period (including Ganassi's in that same manual) actually go beyond an ...
The soprano recorder in C, also known as the descant, is the third-smallest instrument of the modern recorder family and is usually played as the highest voice in four-part ensembles (SATB = soprano, alto, tenor, bass). Since its finger spacing is relatively small, it is often used in music education for children first learning to play an ...
Recorder, tenor (AM 1998.60.41-1) The tenor recorder is a member of the recorder family. It has the same form as a soprano (or descant) recorder and an alto (or treble) recorder, but it produces a lower sound than either; a still lower sound is produced by the bass recorder and great bass recorder.
Such a complete set includes a total of twenty-one instruments, including a pair of exilents, and two each of the two next larger sizes, Discantflöten in D 5 and C 5. However, Praetorius recommends restricting recorder ensembles to the five deepest sizes, because "die kleinen gar zu starck und laut schreien"—"the small ones scream so". [2] [3]
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The great bass recorder is a member of the recorder family. With the revival of the recorder by Arnold Dolmetsch , who chose Baroque music and the corresponding recorder types as a fixed point, consideration was given to the design of recorder types larger than the bass recorder.