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"Cupid" is a song by the American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom, peaking at number seven on the UK Singles Chart. The song is featured on Cooke's greatest hits album, The Best of Sam Cooke (1962 ...
Pages in category "Cupid in music" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. C. Cupid (112 song)
“Cupid” by Fifty Fifty (stylized as FIFTY FIFTY) has become the little K-pop song that could. ... “Cupid” has peaked at No. 4 on Spotify’s Global 200 and on YouTube’s Global Top Songs ...
In classical mythology, Cupid / ˈ k j uː p ɪ d / (Latin: Cupīdō [kʊˈpiːdoː], meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor / ˈ ɑː m ɔːr / (Latin: Amor, "love").
A music video to accompany the release of "Cupid" was first released onto YouTube on 29 May 2012 at a total length of three minutes and fifty-three seconds. [4] The video was directed by Neil Tardio and depicts the story of a couple, a man and a woman, and the stages in the life of their relationship (From the start where they are young adults and playful, to when they have children and at the ...
The album contains four songs, including the single "Cupid", which was released in conjunction with the album. Oh My Girl promoted the album with a series of televised live performances on South Korea's music shows. "Cupid" was favorably reviewed by several music critics, ranking in the top 10 of the K-pop year-end lists of PopMatters and ...
So Seung-geun of IZM gave "Cupid" 4.5 out of 5 stars, writing that Fifty Fifty had found their own color. [29] Music critic Kim Yoon-ha from Yes24 noted how "Cupid" highlighted the vocals, putting them to the forefront instead of considering the voice as one of several instruments, stating that this approach reminded Kim of the Korean songs of the late 2000s rather than modern K-pop. [30]
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