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"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder, with lyrics by Blondie singer Debbie Harry, the song appeared in the film and was released in the United States in early 1980 as a single.
Blondie's next single, the Grammy-nominated "Call Me", was the result of Debbie Harry's collaboration with the Italian songwriter and producer Giorgio Moroder, who had been responsible for many of Donna Summer's biggest hits. The track was recorded as the title theme of the Richard Gere film American Gigolo. [4]
Call Me" by Blondie is the lead song for the soundtrack and was played during the film's intro. The song, which in the early stages was an instrumental demo titled "Man Machine", had originally been offered to Fleetwood Mac's Stevie Nicks, but Nicks declined and Blondie instead recorded the song with lyrics by lead vocalist Debbie Harry.
"Call Me" (Blondie song), theme from the film American Gigolo, 1980 "Call Me" ... "Call Me (Late at Night), Pt. 2" by Ansonbean and Thaimay from One Dance, 2024
She and Blondie sailed above their contemporaries with forever hits “One Way or Another,” “Call Me,” and “Heart of Glass.” Her sound was unique and thrilling.
The track listing for The Platinum Collection has "Atomic" listed before "Call Me". On the other, the infobox has "Call Me" lead to "Atomic" rather than vice versa and The Blondie discography lists "Call Me" before "Atomic". In the middle, the release date on "Atomic" is no more specific than "1980". The release date of "Call Me" is "February ...
Public Enemy, R.E.M, George Clinton, Steely Dan, Bryan Adams, Tracy Chapman, Timbaland are among the nominees for the 2024 class of the Songwriters Hall of Fame. The full list of nominees appears ...
"Atomic" is a song by American rock band Blondie from their fourth studio album, Eat to the Beat (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released in February 1980 as the album's third single.