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Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second-oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period.
The story of Antigone has been a popular subject for books, plays, and other works, including: Antigone, one of the three extant Theban plays by Sophocles (497 BC – 406 BC), the most famous adaptation; Antigone, a play by Euripides (c. 480 – 406 BC) which is now lost except for some fragments; Antigone (1631), [9] a play by Thomas May
Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
Jean Marie Lucien Pierre Anouilh (French: [ʒɑ̃ anuj]; [1] 23 June 1910 – 3 October 1987) was a French dramatist and screenwriter whose career spanned five decades. Though his work ranged from high drama to absurdist farce, Anouilh is best known for his 1944 play Antigone, an adaptation of Sophocles' classical drama, that was seen as an attack on Marshal Pétain's Vichy government.
When it was performed for the first time at the Lenaia Festival in 405 BC, just one year after the death of Euripides, the Athenians awarded it first prize. [45] It was the only Greek play that was ever given an encore performance, which took place two months later at the City Dionysia. [46] Even today, The Frogs still appeals to modern audiences.
Antigone (c. 442 BC) Oedipus Rex (c. 429 BC) Oedipus at Colonus (401 BC, posthumous) Ajax (unknown, presumed earlier in career) The Trachiniae (unknown) Electra (unknown, presumed later in career) Philoctetes (409 BC) Euripides (c. 480–406 BC): Alcestis (438 BC) Medea (431 BC) The Heracleidae (Herakles Children) (c. 429 BC) Hippolytus (428 BC ...
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They feature a chorus of satyrs, with costumes that focus on the phallus, and use wordplay and sexual innuendos that do not occur in tragedy. The vast majority of satyr plays have been entirely lost: only one, by Euripides, survives complete. [10] [11] [12]