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The Nazarene movement, the coinage of a mocking critic, denotes a group of early 19th-century German Romantic painters who aimed to revive honesty and spirituality in Christian art. The principal motivation of the Nazarenes was a reaction against Neoclassicism and the routine art education of the academy system.
This is a non-diffusing parent category of Category:19th-century German male artists and Category:19th-century German women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Rummler was born in Dubuque, Iowa to German immigrants Joseph and Rosalia Rummler. [1] In 1888 Rummler traveled to New York to study art at the Art Students League of New York . In 1905 Rummler moved with his wife, Maria, and their children to Europe to further study painting at the Académie Julian in Paris with Jean-Paul Laurens .
Pages in category "19th-century German painters" The following 200 pages are in this category, out of approximately 1,163 total.
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German American painter best known for his lavish, sweeping landscapes of the American West.He joined several journeys of the Westward Expansion to paint the scenes.
Munich was an important center of painting and visual art in the period between 1850 and 1914. The mid-century movement away from the Romanticism and emphasis on fresco painting of the earlier Munich school was led by Karl von Piloty, who was a professor at the Munich Academy from 1856 and became its director in 1874. [2]
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style.
Austrian Biedermeier sofa, c. 1815–1825, mahogany, upholstery (not original), Montreal Museum of Fine Arts (Montreal, Canada) The Biedermeier period was an era in Central European art and culture between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities.