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The scene, part of the series of the Stories of Jesus on the chapel's northern wall, is a reference to Matthew 16 [2] in which Jesus says he will give "the keys of the kingdom of heaven" to Saint Peter. [3] These keys represent the power to forgive and to share the word of God thereby giving them the power to allow others into heaven.
Standing on a staircase, Jesus appears in the center of the painting, leaning towards Peter, who kneels to receive the keys. On the ground, lie the iconographic symbols of an open book and a sword, while in the sky, some angels, seraphs and cherubs, appear among the clouds to witness and to celebrate the event.
Saint Peter of Orsanmichele is one of the more-discussed statues of the complex, although the documentation for its provenance and dating are lost. The traditional attribution was to Donatello, as reported by Giorgio Vasari in his Le Vite, where he wrote that the work as commissioned from Brunelleschi and Donatello but that only the second performed the work and brought it "to perfection."
The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Created Date: 8/30/2012 4:52:52 PM
The chapel was built by Brunelleschi in the period in which he was active in the Spedale degli Innocenti, and was still supporting the feasibility of the dome of Santa Maria del Fiore. He had already studied a reduced version of his subject for the latter in the dome of the Ridolfi Chapel and repeated it in the Barbadori Chapel, though now his ...
Brunelleschi Crucifix, Gondi Chapel, Santa Maria Novella, Florence The Brunelleschi Crucifix is a polychrome painted wooden sculpture by the Italian artist Filippo Brunelleschi, made from pearwood around 1410-1415, and displayed since 1572 in the Gondi Chapel at the church of Santa Maria Novella in Florence.
It is an unusual subject, combining the Ascension of Christ and Christ's giving the keys of the kingdom to Saint Peter. It may form part of a series of works for private devotion which the artist produced at that time, but more probably it decorated the original altar in the Cappella Brancacci , or perhaps the base of the Saint Peter niche at ...