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The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]
One of the reasons bassists split their signal into a bass amp and an electric guitar amp is because this arrangement enables them to overdrive the higher-register sound from the electric guitar amp, while retaining the deep bass tone from the bass amp. Naturally-produced overdrive on bass obtained by cranking a tube amplifier or solid-state ...
The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive. The 75W Fender Rumble 75 Bass Combo Amp can produce an overdrive effect by using the gain and blend controls, giving overdrive sounds ranging from "mellow warmth [to] heavy distorted tones". [13]
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Power Jack: 2.1 mm (Roland / BOSS-style) 9 V DC adapter socket mod. Because the tip on the BOSS-style adapter is negative, one needs to install a plastic 2.1 mm socket to avoid shorting out the barrel of the plug against the RAT's steel chassis (note, the official website says it uses a positive tip adapter). This modification is not necessary ...
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The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.