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The look of a prototype PRS bridge setup from the back of the guitar. John Mann first met Paul in 1978 when he wanted to have a 1966 Gibson SG refinished. [4] At that time, John worked at Westinghouse, Oceanic division, a large research and development engineering facility for the Navy on the outskirts of Annapolis, Maryland.
Tune-o-matic (also abbreviated to TOM) is the name of a fixed or floating bridge design for electric guitars. It was designed by Ted McCarty (Gibson Guitar Corporation president) and introduced on the Gibson Super 400 guitar in 1953 and the Les Paul Custom the following year. [1] In 1955, it was used on the Gibson Les Paul Gold Top. It was ...
The low-end SG-100 and the P-90 equipped SG-200 appeared during this time, as well as the luxurious SG Pro and SG Deluxe guitars. Vibrato ( tremolo arm ) tailpieces were also introduced as options. In 1972 the design went back to the original style pickguard and rear-mounted controls but with the neck then set further into the body, joining ...
The wraparound stoptail bridge has been replaced with Gibson's standard Tune-O-Matic arrangement on the Classic and Special reissues, while the reissue of the Junior retains the original one-piece bridge. Most SG Specials (like their Standard counterpart) have a volume and tone knob for each pickup and a 3-way selector switch.
As a successor model, SG 100 was released in the late-1971 (with a large maple body, triangular pickguard, flat metal control plate, a black plastic-molded single-coil pickup with a flat metal-ring, and tune-o-matic installed through a baseplate/tailpiece), then SG I replaced it in the late-1972 (with a humbucker and stoptail bridge), but ...
The bridge (right) pickup is a humbucker and the neck ... Gibson SG-3, Gibson ES-5 Switchmaster (after 1957), Kramer Jersey Star, Ibanez Destroyer, Ibanez PGM200)
The tuning system used on the Gibson Robot Guitar is based on the aftermarket Powertune system, which was developed by the Tronical Company of Germany. [2] The Gibson system uses the standard Tune-o-matic style bridge typical on their guitars, but modifications were made to have individual piezo saddles that transmit each string's pitch to the microprocessor. [7]
The SG Melody Maker alongside the rest of the SG line was discontinued and replaced by the short-lived SG 100, 200 and 250 of 1972, quickly replaced by the more traditional SG I, II, and III. In 1974-75 Gibson finally moved to the much more cost-efficient bolt-on necks with the Gibson Marauder and then the Gibson Sonex of the 80s.