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  2. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches.As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Whole tone: Unusual ... Two-semitone tritone scale: ... Semitones Letters Chromatic: 1 1 1: H-H-H Diminished: 1 2 1: H-W-H Gypsy : 2 1 3: W-H-3H

  4. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)

  5. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...

  6. Interval (music) - Wikipedia

    en.wikipedia.org/wiki/Interval_(music)

    The number of an interval is the number of letter names or staff positions (lines and spaces) it encompasses, including the positions of both notes forming the interval. For instance, the interval B—D is a third (denoted m3 ) because the notes from B to the D above it encompass three letter names (B, C, D) and occupy three consecutive staff ...

  7. Enharmonic equivalence - Wikipedia

    en.wikipedia.org/wiki/Enharmonic_equivalence

    This leads to G ♯ and A ♭ being different pitches; G ♯ is, in fact 41 cents (41% of a semitone) lower in pitch. The difference is the interval called the enharmonic diesis, or a frequency ratio of ⁠ 128 / 125 ⁠. On a piano tuned in equal temperament, both G ♯ and A ♭ are played by striking the same key, so both have a frequency

  8. Pythagorean interval - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_interval

    Likewise, the difference between the tone and the perfect fourth is the semiditone, a narrow minor third, 32/27, which differs from 6/5 by the syntonic comma. These differences are "tempered out" or eliminated by using compromises in meantone temperament. The difference between the minor third and the tone is the minor semitone or limma of

  9. Tone cluster - Wikipedia

    en.wikipedia.org/wiki/Tone_cluster

    Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.