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In rhetoric, antimetabole (/ æ n t ɪ m ə ˈ t æ b ə l iː / AN-ti-mə-TAB-ə-lee) is the repetition of words in successive clauses, but in transposed order; for example, "I know what I like, and I like what I know". It is related to, and sometimes considered a special case of, chiasmus. An antimetabole can be predictive, because it is easy ...
The negative-positive antithesis and the antimetabole-antithesis can be combined, as in the following sentence: Ask not what your country can do for you – ask what you can do for your country. – Inauguration of John F. Kennedy, 1961. An antithesis can also be combined with synonymous parallelism. In the following example, the first (A, A ...
Both chiasmus and antimetabole can be used to reinforce antithesis. [6] In chiasmus, the clauses display inverted parallelism.Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text.
Anastrophe is a hyponym of the antimetabole, where anastrophe only transposes one word in a sentence. For example, subject–verb–object ("I like potatoes") might be changed to object–subject–verb ("potatoes I like"). [1] [2]
The word is used at the end of a sentence and then used again at the beginning of the next sentence. [2] Examples ... your habits become your values, ...
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
Style over substance – embellishing an argument with compelling language, exploiting a bias towards the esthetic qualities of an argument, e.g. the rhyme-as-reason effect [82] Wishful thinking – arguing for a course of action by the listener according to what might be pleasing to imagine rather than according to evidence or reason. [83]
Aposiopesis (/ ˌ æ p ə s aɪ. ə ˈ p iː s ɪ s /; Classical Greek: ἀποσιώπησις, "becoming silent") is a figure of speech wherein a sentence is deliberately broken off and left unfinished, the ending to be supplied by the imagination, giving an impression of unwillingness or inability to continue. [1]