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The song also topped the US Dance Club Songs chart, with Summer's follow-up "Bad Girls" as a double A-side. "Hot Stuff" was the seventh biggest song of 1979 in the US. [9] The popular 12" single edition of the song plays the full 6:47 version of the song and then segues into "Bad Girls" 4:55 version.
"Hot Stuff (Let's Dance)" is a song by British singer Craig David. It was written by David and Fraser T. Smith for his fourth studio album, Trust Me (2007), with production overseen by Smith. The song samples David Bowie's 1983 number-one single "Let's Dance". Due to the inclusion of the sample, Bowie is also credited as a songwriter.
Donna Adrian Gaines (December 31, 1948 – May 17, 2012), [2] known professionally as Donna Summer, was an American singer and songwriter.She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following.
The Dance Collection: A Compilation of Twelve Inch Singles is a compilation album by Donna Summer released in 1987 (see 1987 in music).Summer had become the biggest star of the disco era in the 1970s when signed to Casablanca Records.
The singer first hit the scene in 1999 with duo Artful Dodger’s single “Re-Rewind,” which David was featured on.He then released eight studio albums and charted on the Billboard Hot 100 ...
Bad Girls is the seventh studio album by American singer-songwriter Donna Summer, released on April 25, 1979, by Casablanca Records. Originally issued as a double album, Bad Girls became the best-selling and most critically acclaimed album of Summer's career (before the release of On The Radio: Greatest Hits Volumes I & II). It was also her ...
The discography of American singer Donna Summer includes 17 studio albums and 89 singles, plus several other releases. Her first single, "Wassermann", a German version of the song "Aquarius" from the musical Hair, was released in Europe in 1968 under her maiden name, Donna Gaines.
From in hot water to “Hot Stuff”! Boy Meets World is jam-packed with memorable moments, but it wasn’t until season 5 that audiences realized what they’d always needed — the men dancing ...