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A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue .
The text on the fragment relates to the Last Judgment and therefore sometimes is also called “Das Weltgericht” (German for "Last Judgment"). [2] The text is part of a fourteenth-century poem of 1040 lines known as the "Sibyllenbuch" [5] (Book of the Sibyls [6]) containing "prophecies concerning the fate of the Holy Roman Empire". [7]
A page from Night-Thoughts, illustrated by William Blake. The Complaint: or, Night-Thoughts on Life, Death, & Immortality, better known simply as Night-Thoughts, is a long poem by Edward Young published in nine parts (or "nights") between 1742 and 1745.
Sonnet 55 is interpreted as a poem in part about time and immortalization. The poet claims that his poem will outlast palaces and cities, and keep the young man's good qualities alive until the Last Judgement. The sonnet traces the progression of time, from the physical endeavours built by man (monuments, statues, masonry), as well as the ...
Christ III is an anonymous Old English religious poem which forms the last part of Christ, a poetic triad found at the beginning of the Exeter Book. Christ III is found on fols. 20b–32a and constitutes lines 867–1664 of Christ in Krapp and Dobbie's Anglo-Saxon Poetic Records edition.
A fragmentary copy of the first edition of The Day of Doom, held at Houghton Library, Harvard University "The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson.
The Last Judgment at the end of the chapel Charon and his boat of damned souls. The Last Judgment was a traditional subject for large church frescos, but it was unusual to place it at the east end, over the altar. The traditional position was on the west wall, over the main doors at the back of a church, so that the congregation took this ...
Muspilli is an Old High German alliterative verse poem known in incomplete form (103 lines) from a ninth-century Bavarian manuscript. Its subject is the fate of the soul immediately after death and at the Last Judgment. Many aspects of the interpretation of the poem, including its title, remain controversial among scholars.