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"Melissa" (sometimes called "Sweet Melissa") is a song by American rock band the Allman Brothers Band, released in August 1972 as the second single from the group's fourth album, Eat a Peach. The song was written by vocalist Gregg Allman in 1967, well before the founding of the group.
Manchester's debut album, Home to Myself, was released in 1973; Manchester co-wrote many of its songs with Carole Bayer Sager. Two years later, her album Melissa produced her first top-ten hit, "Midnight Blue", which enjoyed 17 weeks on the Billboard Hot 100 charts. The song's peak position was #6 for the week of August 9, 1975. [6]
"Midnight Blue" is a song by American singer and songwriter Melissa Manchester, written by herself alongside Carole Bayer Sager and produced by Vini Poncia with an executive production by Richard Perry. It was released in April 1975 as the first single from Manchester's third studio album, Melissa (1975).
"Whenever I Call You ' Friend '" is a song written by Kenny Loggins and Melissa Manchester, which Loggins recorded for his 1978 album Nightwatch. Issued as a single, "Whenever I Call You 'Friend '" reached No. 5 in the autumn of 1978.
"Mélissa" is a song by French singer-songwriter Julien Clerc. [1] It was released as a single from his 1984 album Aime-moi.. It is one of Clerc's most famous songs. [2]The name "Mélissa" evokes a "quasi-mythical female character".
"Come to My Window" is a song by American singer-songwriter Melissa Etheridge, released in 1993 as the second single from her fourth studio album, Yes I Am (1993). This was the first song to become a hit after Etheridge publicly announced that she was a lesbian .
Rather than release a second A-side single from the Don't Cry Out Loud album, Arista attempted to follow up the success of the "Don't Cry Out Loud" single with "Through the Eyes of Love", the theme song from the movie Ice Castles; the track, for which "Such a Morning" from the Don't Cry Out Loud album served as B-side, failed to consolidate ...
Written by guitarist Dickey Betts, the song is a tribute to gypsy jazz guitarist Django Reinhardt, in that it was designed to be played using only two fingers on the left hand. Betts wrote the majority of "Jessica" at the band's farm in Juliette, Georgia. He named it after his daughter, Jessica Betts, who was an infant when it was released.