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Polysyndeton (from Ancient Greek πολύ poly "many" and συνδετόν syndeton "bound together with") [1] is the deliberate insertion of conjunctions into a sentence for the purpose of "slow[ing] up the rhythm of the prose" so as to produce "an impressively solemn note." [2]
An asyndeton of "or" before a polysyndeton of "and": "A parson or what looked like one was laboring over the crest of the hill and coming toward them with one hand raised in blessing, greeting, fending flies. He was dressed in a dusty frockcoat and carried a walking stick and he wore a pair of octagonal glasses on the one pane of which the late ...
Asyndeton – the deliberate omission of conjunctions that would normally be used. Audience – real, imagined, invoked, or ignored, this concept is at the very center of the intersections of composing and rhetoric. Aureation – the use of Latinate and polysyllabic terms to "heighten" diction.
An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and".
Syndeton (from the Greek συνδετόν "bound together with") or syndetic coordination in grammar is a form of syntactic coordination of the elements of a sentence (conjuncts) with the help of a coordinating conjunction.
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
The term "single video theory" is a play on the "single-bullet theory," involving the assassination of John F. Kennedy. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in ...
For example, the figure of speech "MANY ANDS" or "POLYSYNDETON" is straight-forward and literal. It puts equal emphasis on everything connected by each "and". A companion or opposite figure is Asyndeton or "NO ANDS" which intends for the listener or reader to skim over the details to a climax statement that follows.