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A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [3]
Nahru Lampkin, aka Bongo Man (born 1962), is an American entertainer, musician, street performer, and entrepreneur from Detroit, Michigan. [1] He has two other jobs, but he is best known as a street performer who plays conga drums (referred to as bongo drums by his customers) [2] near the entrance to sporting and other events, while offering rhymed comments to passers-by. [3]
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...
In general, the particular note will depend on the make, model, and size of the conga drum. The drum should be tuned so that the bass tone resonates, the open tone rings, and the slap pierces through the musical mix. If the tuning is too loose, the bass and slap tones will sound "flabby"; too tight, and the drums will sound unnatural and "pinched".
Petter Askergren used bongo samples in his cover of Thomas Di Leva's hit "Dansa din djävul". Rage Against the Machine interpolated parts of the percussion break in their cover of "Renegades of Funk". Hip hop artists Jay-Z and Kanye West sampled the bongo drums on their track "That's My Bitch" from their 2011 collaborative album, Watch the Throne.