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to "That's all it takes to be a star" (referring to the four chords themselves). On 20 July 2011, the Axis of Awesome released an official music video for "Four Chords" on their YouTube channel. Songs in the official music video: [11] Journey – "Don't Stop Believin'" James Blunt – "You're Beautiful" The Black Eyed Peas – "Where Is the Love"
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, [1] known for their 1954 hit "Sh-Boom", which they wrote. [ citation needed ] It is the only song they created that reached mainstream popularity.
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: Atonal: Atonal: Bitonal: ... I–V–vi–IV chord progression ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet;
Three Chords and the Truth is the debut studio album by American country music artist Sara Evans. The album's title comes from Harlan Howard, a country music songwriter to whom this quote is widely attributed. It also was an improvized lyric in U2's version of the Bob Dylan song "All Along the Watchtower," released on the Rattle and Hum album.