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The National Garden in central Athens, commissioned by Amalia, the first Queen of modern Greece. The National Garden [1] [2] (Greek: Εθνικός Κήπος), called the Royal Garden until 1974, [3] is a public park of 15.5 hectares (38 acres) in the center of the Greek capital, Athens.
The Gardens of Adonis (1888) by John Reinhard Weguelin depicts the casting of the gardens of Adonis into the sea at the end of the Adonia. The main feature of the festival at Athens were the "Gardens of Adonis", [12] broken pieces of terracotta which had lettuce and fennel seeds sown in them. [6] These seeds sprouted, but soon withered and died ...
Roman pleasure gardens were adapted from the Grecian model, where such a garden also served the purpose of growing fruit, but while Greeks had "sacred grove" style gardens, they did not have much in the way of domestic gardens to influence the peristyle gardens of Roman homes. Open peristyle courts were designed to connect homes to the outdoors.
According to Shelley Haley, Pomeroy's work "legitimized the study of Greek and Roman women in ancient times". [21] However, classics has been characterised as a "notoriously conservative" field, [21] and initially women's history was slow to be adopted: from 1970 to 1985, only a few articles on ancient women were published in major journals. [22]
The Roman Agora has not today been fully excavated, but is known to have been an open space surrounded by a peristyle. To its south was a fountain. To its south was a fountain. To its west, behind a marble colonnade, were shops and a Doric propylon (entrance), the Gate of Athena Archegetis .
The Gate of Athena Archegetis is situated west side of the Roman Agora, in Athens and considered to be the second most prominent remain in the site after the Tower of the Winds. Constructed in 11 BCE by donations from Julius Caesar and Augustus , the gate was made of an architrave standing on four Doric columns and a base, all of Pentelic marble .
The Grave Stele of Hegeso (c.410–400 BC) is one of the best surviving examples of Attic grave stelae. From around 450, Athenian funerary monuments increasingly depicted women, as their civic importance increased.
Elli Sougioultzoglou-Seraidari (Greek: Έλλη Σουγιουλτζόγλου-Σεραϊδάρη; 3 November 1899 – 8 August 1998), better known as Nelly's, was a Greek female photographer whose pictures of ancient Greek temples set against sea and sky backgrounds helped shaped the visual image of Greece in the Western mind (or, in a critical reading, the West's visual image of Greece in ...