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The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
Percy Bysshe Shelley (/ b ɪ ʃ / ⓘ BISH; [1] [2] 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. [3] [4] A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an ...
Specimen of an Induction to a Poem (1816) Calidore (1816) Hadst thou Liv’d in Days of Old (1816) I Stood Tiptoe Upon a Little Hill (1816) I am as Brisk (1816) On Oxford (1817) O Grant that Like to Peter I (1817) Think not of it, Sweet One (1817) Unfelt, Unheard, Unseen (1817) In Drear-Nighted December (1817) Modern Love (1818) The Castle ...
The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further separates the image of the nightingale's song from its closest comparative image, the urn as represented in "Ode on a Grecian Urn".
The poem came to be forever associated with the "Bright Star" Fanny Brawne – with whom Keats became infatuated. Gittings says it was given as "a declaration of his love." [5] It was officially published in 1838 in The Plymouth and Devonport Weekly Journal, 17 years after Keats's death.
Shelley was introduced to Keats in Hampstead towards the end of 1816 by their mutual friend, Leigh Hunt, who was to transfer his enthusiasm from Keats to Shelley.Shelley's initial admiration of Keats was ambiguous: his reception to Keats' Endymion was largely unfavourable, while he found his later work, Hyperion, to be the highest example of contemporary poetry.
The poems of Lyrical Ballads intentionally re-imagined the way poetry should sound: "By fitting to metrical arrangement a selection of the real language of men," Wordsworth and his English contemporaries, such as Coleridge, John Keats, Percy Shelley, Lord Byron and William Blake, wrote poetry that was meant to boil up from serious ...
Anacreontics are poems written in the style of the ancient Greek poet Anacreon, known for his celebrations of love. Shelley wrote it in a copy of Leigh Hunt's Literary Pocket-Book , 1819, which was presented to Sophia Stacey, December 29, 1820.