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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The Mass was well received by many US Catholic cleric and is said to have furthered their acceptance of Sacrosanctum Concilium. [4] Mary Lou Williams, a Black Catholic composer, had completed her own Mass, Black Christ of the Andes (also known as Mary Lou's Mass) in 1962 and performed it that November at St. Francis Xavier Church in Manhattan.
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
Schutte's compositions are primarily written for Catholic liturgical use, but over time have been used in Protestant worship. Some of the more notable include "City of God" (1981), "Only This I Want" (1981), "Blest Be the Lord" (1976), "You Are Near" (1971), "Though the Mountains May Fall" (1975), "Sing a New Song" (1972), "Glory and Praise to Our God" (1976), "Here I Am, Lord" (1981), "Table ...
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
Other occasions for church cantatas include weddings and funeral services. Thus below also readings and hymns associated with the occasion are listed, for the hymns for instance based on Vopelius' Neu Leipziger Gesangbuch. [2]
"Lord of all Hopefulness" is a Christian hymn written by English writer Jan Struther, which was published in the enlarged edition of Songs of Praise [1] (Oxford University Press) in 1931. The hymn is used in liturgy, at weddings and at the beginning of funeral services, and is one of the most popular hymns in the United Kingdom. [2]
This hymn was soon to be found in various forms in many Catholic devotional books, and a Latin translation, "Salve Regina coelitum", [16] was soon created. The modern melody first appeared in the 1736 hymnal Geistliche Spiel- und Weckuhr , and Melchior Ludwig Herold's 1808 hymnal Choralmelodien zum Heiligen Gesänge contained the version that ...