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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Second Version of Triptych 1944 1988 Catalogue Raisonné Number 88-05 Oil and Aerosol Paint on Canvas 198 x 147.5cm (78 x 58 in) Tate, London The second version of Three Studies for Figures at the Base of a Crucifixion (1944). Painted by Bacon after the 1944 triptych was deemed too fragile to travel to New York for an exhibition. Triptych 1991 1991
In its display caption for the Triptych–August 1972 the Tate gallery wrote, "What death has not already consumed seeps incontinently out of the figures as their shadows." [11] Bacon's work from the 1970s has been described by the art critic Hugh Davies as the "frenzied momentum of a struggle against death".
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
Yale University Art Gallery, New Haven, USA Fragment of a lost triptych which also included Ship of Fools (the Allegory would be the lower part of that outer wing) and Death and the Miser (the other outer wing). Death and the Miser c. 1500–1510 Oil on wood 92.6 × 30.8 cm National Gallery of Art, Washington, D.C., USA Outer wing of a lost ...
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish painter Jan van Eyck. It consists of five individual panel paintings: a central inner panel, and two double-sided wings.