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The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in between the early 1860s and mid to late 1890s, [1] centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Novellas are works of prose fiction longer than a short story but shorter than a novel. Several novellas have been recognized as among the best examples of the literary form. Publishers and literary award societies typically consider a ...
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight.
The post 16 of the Most Famous Malapropism Examples appeared first on Reader's Digest. You've made a malapropism—and everyone from politicians to famous literature characters is guilty of errors ...
One of the most famous opening lines is: “There once was a man from Nantucket…,” which first appeared in 1902. That limerick was written by a Princeton professor and appeared in the college ...
Gertrude Stein (1874–1946), an American expatriate living in Paris, famous for her line "Rose is a rose is a rose is a rose," was also an important literary force during this time period. American poet Marianne Moore (1887–1972) published from the 1920s to the 1960s.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]