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The day dress has a wide, low neckline and long sleeves. Julie von Woyna wears a blue silk dress, with sheer sleeves and sheer lace trimmings . Her plaited hair is setup in an elaborate hairstyle. Marquise Irene of Pallavicini of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. Hair is ...
Matilde Juva-Branca wears a dark morning dress with a lace blouse or chemisette and cuffs and short leather gloves. Her hair is parted and worn in long sausage curls, 1851. Doña Josefa García Solis wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels ...
This fashion was short-lived (though the bustle would return again in the mid-1880s), and was succeeded by a tight-fitting silhouette with fullness as low as the knees: the cuirass bodice, a form-fitting, long-waisted, boned bodice that reached below the hips, and the princess sheath dress. Sleeves were very tight fitting.
Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the lower arm. Skirts are fuller in back than front. Gowns of 1892–3 feature short or elbow-length full, puffed sleeves and floral trimmings.
Image credits: Frazer Harrison / Getty #5 Willow Smith. The 24-year-old bedazzled the red carpet in a shimmery bra and matching short bottoms. She paired it off with a black maxi blazer that ...
Bodices on the other hand, ended at the natural waistline, had wide pagoda sleeves, and included high necklines and collars for day dresses; low necklines for evening dresses. However, in 1868, the female silhouette had slimmed down as the crinoline was replaced by the bustle, and the supporting flounce overtook the role of determining the ...