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The score was released by Back Lot Music was released on August 2, 2019, with a total of 18 tracks, and 40 minutes and 33 seconds of music. The score was written and composed by Tyler Bates, who is a frequent collaborator for the film's director David Leitch, having composed the music of his previous films. [5] [6] All music composed by Tyler ...
Fast & Furious: Original Motion Picture Score is the film score to the 2009 film Fast & Furious, composed by Brian Tyler. The album, with a total of 25 tracks, was released on CD by Varèse Sarabande with 78 minutes and 11 seconds' worth of music.
The Fast and the Furious: Original Motion Picture Soundtrack is the first of two soundtracks to Rob Cohen's 2001 action film The Fast and the Furious. It was released on June 5, 2001, by Murder Inc. Records, Def Jam Recordings, and Universal Music Group.
2 Fast 2 Furious is the soundtrack for John Singleton's 2003 action film 2 Fast 2 Furious. It was released on May 27, 2003 via Def Jam South . Production was handled by several record producers, including Keith McMasters, Cool & Dre , the Diaz Brothers, Elite , Just Blaze and The Trak Starz .
"Bawitdaba" by Kid Rock plays during the first race in the film with Lucas Black's character Sean Boswell racing against Zachery Ty Bryan's character Clay. "Ooh Ahh (My Life Be Like)" by GRITS featuring Toby Mac was featured in the film during a scene with Bow Wow's character Twinkie; the song was originally released on the group's 2002 album "The Art of Translation" and was later remixed by ...
Fast & Furious 6: Original Motion Picture Soundtrack is the soundtrack to Fast & Furious 6, released digitally to iTunes on May 17, 2013, and on CD on May 21, 2013 by Def Jam Recordings. [1] It mainly features electronic and hip hop tracks.
F9: The Fast Saga (Original Motion Picture Score) is the film score album of the 2021 film of the same name. The score was released by Back Lot Music on July 2, 2021, with a total of 44 tracks, and 114 minutes and 16 seconds of music.
88) that a slide could fill out a melodic gap whose final note occurs on a weak beat. [10] In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11]