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Alien: Original Motion Picture Score came out in 1979 and achieved critical acclaim, being released commercially in multiple forms during the following decades. The iconic, avant-garde score to the film Alien was composed by Jerry Goldsmith and is considered by some to be one of his best, most visceral scores. [ 5 ]
Aliens: Original Motion Picture Soundtrack is the soundtrack album for the 1986 James Cameron film Aliens.The score was composed and conducted by James Horner, performed by the London Symphony Orchestra and recorded at Abbey Road Studios in London between 15-26 April 1986.
Alien is a science fiction horror and action media franchise centered on the original film series which depicts warrant officer Ellen Ripley (Sigourney Weaver) and her battles with an extraterrestrial lifeform, commonly referred to as the Alien ("Xenomorph"), and the prequel series following the exploits of the David 8 android (Michael Fassbender) and the aliens referred to as the "Engineers".
(only for Alien 3 and Alien Resurrection) Nominated Best Behind-the-Scenes Program (New for DVD) The Beast Within: The Making of Alien, Charles de Lauzirika Nominated Best Menu Design Matt Kennedy Nominated Sierra Awards: Best DVD Alien Quadrilogy: Won [33] Satellite Awards: Best DVD Extra Alien Quadrilogy: Nominated Best Overall DVD Alien ...
The best alien movies out there include several entries in the 'Alien' series, to'Super 8,' 'Cloverfield,' and 'Nope,' among countless others.
The avant-garde Alien 3: Original Motion Picture Soundtrack was written for the motion picture of the same name. Scored by Elliot Goldenthal , it was his first big mainstream score; he described it as an experiment and spent a whole year creating it.
Mihnea Manduteanu of Soundtrack Dreams noted "“Alien” is a franchise that’s dear to many and has been around since forever; everybody has an idea about how the movie should be and especially how the music should sound and when the precedent scores where written by people like Jerry Goldsmith or James Horner the expectations and tempers are high.
The soundtrack received mixed reviews from critics. Mike Brennan thought it "lacks the ingenuity of the previous trilogy (Alien) and the Predator scores, which all shared a strong sense of rhythm in place of thematic content. Kloser throws in some interesting percussion cues ("Antarctica" and "Down the Tunnel"), but more as a sound effect than ...