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The EP, totaling 41 minutes and 41 seconds in length, consists of six remixes of four different tracks from Björk's 1993 album Debut.The collection begins with the English electronic group Underworld's remix of "Human Behaviour", where, according to AllMusic's Neg Raggett, the swing "stutter" of the original recording's percussion is replaced by "crisp disco" beats and high tempo funk loops.
The remix features electronic bass and heavily uses reverb. The track ends with the lines "It takes courage to enjoy it/The hardcore/And the gentle/Of Big Time Sensuality" whispered by Björk. The track ends with the lines "It takes courage to enjoy it/The hardcore/And the gentle/Of Big Time Sensuality" whispered by Björk.
Icelandic singer and songwriter Björk has recorded more than two hundred songs for ten studio albums, two soundtrack albums, a compilation album, six remix albums and three collaboration albums. She is the sole writer and producer of most of the songs included in her albums.
Its lyrics were inspired by a party she attended and promptly left. [50] "Like Someone in Love" is one of the several jazz standards she recorded with Corky Hale, [48] with her voice "cradled in harp and swoony strings." [28] "Like Someone in Love" is followed by the techno-tinged "Big Time Sensuality" in an "intentionally startling" leap.
Telegram is the first full-length and second overall remix album by Icelandic musician Björk, released on 25 November 1996.The album is a collection of remixes of several tracks from her album Post, which had all previously appeared as B-sides of the UK versions of the singles off Post, except the "Enjoy" remix which was previously unreleased.
Starting with "Pleasure is All Mine" off 2004's Medúlla, the subsequent "Come to Me", "Undo" and "I See Who You Are" were all met with bursts of knowing cheers from the crowd. Bjork returned without a mask and wearing a custom lilac latex dress by Geoffrey Mac for the second act. If the first half felt like a soundtrack for the chilly, winter ...
In 2002 when she began combing her archive of live material to be released the following year, [1] she settled on a special performance of Debut for MTV's iconic Unplugged series of concerts. This show was performed a month after the Debut tour concluded in late 1994 and features wildly different instrumentation and interpretations of the Debut ...
"Come to Me" (Diddy song), 2006 "Come to Me" (Diesel song), 1991 "Come to Me" (France Joli song), 1979 "Come to Me" (Goo Goo Dolls song), 2013 "Come to Me" (Marv Johnson song), 1959 "Come to Me" (Ricky Martin song), 2002 "Come to Me" (Sarkodie song), 2017 "Come to Me", by Otis Redding from The Great Otis Redding Sings Soul Ballads, 1964 "Come ...