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Young Siward is a character in William Shakespeare’s play Macbeth (1606). He is the son of Siward, general of the English forces in the battle against Macbeth. Macbeth kills him in the final battle, shortly before his swordfight with Lord Macduff. He is based on the real-life historical figure of Osbeorn Bulax.
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
Macduff's son, in his bold denunciation of the murderers, is a strong symbol of the danger Macbeth faces. Paradoxically, the more Macbeth tries to rid himself of the human emotions (compassion, love) that lead to children, the less capable he is of meeting this threat and controlling his future. [6]
Lady Macduff is a character in William Shakespeare's Macbeth.She is married to Lord Macduff, the Thane of Fife.Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders.
Macbeth orders the whole Macduff household to be slaughtered; only Macduff survives, having fled to England earlier. A guilt-ridden Lady Macbeth gradually descends into insanity. Ross secretly visits England and informs Macduff of his family's demise. A grief-stricken Macduff vows revenge, while Malcolm raises an army with English help.
Macbeth sallies out and duels with Macduff. Macbeth is confident, as "no man born of woman" can kill him, and he defeats Macduff, a dagger at his throat. Macduff states he was untimely ripped from his mother's womb and Macbeth drops his dagger, saying he won't fight (the prophecy). Macbeth regrets his mistakes, knowing redemption is impossible.
“In every conceivable manner, the family is a link to our past, bridge to our future.”— Alex Haley “It is the smile of a child, the love of a mother, the joy of a father, the togetherness ...
In Orson Welles' 1948 film adaptation of Macbeth, the role of King Duncan is reduced. 1.2 is cut entirely as well as generous portions of 1.4. King Duncan is seen briefly in 1.6 as he enters Macbeth's castle amid considerable pomp. The top of 1.4 with its description of Cawdor's execution has been transplanted to this scene.