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The Tonalamatl was painted in the eastern part of the state of Tlaxcala, a region populated by Otomí speakers. [1] Its history during the 16th and 17th century is unknown, but according to the Library of Congress, [2] the Aubin Tonalamatl was part of a collection owned by Lorenzo Boturini Benaducci (1702-51) that was confiscated on his expulsion from New Spain in the mid-1740s.
The first section is one of the most intricate surviving divinatory calendars (or tonalamatl). Each page represents one of the 20 trecena (or 13-day periods), in the tonalpohualli (or 260-day year). Most of the page is taken up with a painting of the ruling deity or deities, with the remainder taken up with the 13 day-signs of the trecena and ...
The Aubin Codex is an 81-leaf Aztec codex written in alphabetic Nahuatl on paper from Europe. Its textual and pictorial contents represent the history of the Aztec peoples who fled Aztlán , lived during the Spanish conquest of the Aztec Empire , and into the early Spanish colonial period, ending in 1608.
As a typical calendar codex tonalamatl dealing with the sacred Aztec calendar – the tonalpohualli – it is placed in the Borgia Group. It is a divinatory almanac in 17 sections. Its elaboration is typically pre-Columbian: it is made on deerskin parchment folded accordion-style into 23 pages.
Tōnacātēcuhtli was the Central Mexican form of the aged creator god common to Mesoamerican religion. [3] According to the Codex Ríos, the History of the Mexicans as Told by Their Paintings, the Histoyre du Mechique, and the Florentine Codex, Tōnacātēcuhtli and his consort Tōnacācihuātl resided in "in Tōnacātēuctli īchān" ("the mansion of the Lord of Abundance"), also known as ...
Zacatzontli, Borgia Codex, he has an eagle as sun's symbol guide Zacatzontli, in Aztec mythology, is the god of day road, he has an eagle as sun's symbol guide.He holds in his left hand a staff and his right hand supports an backpack full of quetzals.
Mural of Tlālōcān, Tepantitla, Teotihuacan culture. Tlālōcān (Nahuatl pronunciation: [t͡ɬaːˈloːkaːn̥]; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue.
The content of the Boturini Codex has much in common with the later Aubin Codex, which records nearly the exact itinerary as the Boturini Codex. The exception are discrepancies in dates for the first six sites of the migration, and at the end of the Aubin Codex. The latter codex emphasizes dates of arrival rather than of departure.