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Zouk is a musical movement and dance pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm, and a loud horn section. [1]
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The most iconic form of Provençal folk music is a duo of fife and drum, or ensembles of galoubets-tambourins; the most prominent characteristic of the region's folk music, however, is the Italian musical influence. Performers include Patrice Conte, Yves Rousguisto and André Gabriel.
The Société nationale de musique was an organisation in late 19th and early 20th century Paris, promoting French music and allowing rising composers to present their works in public. It was founded in the aftermath of France's defeat in the Franco-Prussian War of 1870–71 on a strong tide of nationalist feeling, and at first excluded all ...
Just out of the surrealist experience of Les Six, Poulenc dared to bring the bawdy songs into the concert halls.On the one hand, the text of Les Chansons gaillardes comes from anonymous texts of the seventeenth century, written in a tone of celebration and alcohol: "texts rather scabrous", [3] according to Francis Poulenc himself.
Musique mesurée à l'antique (French: [myzik məzyʁe a lɑ̃tik]) was a style of vocal musical composition in France in the late 16th century. In musique mesurée, longer syllables in the French language were set to longer note values, and shorter syllables to shorter, in a homophonic texture but in a situation of metric fluidity, in an attempt to imitate contemporary understanding of ...