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Welsh alternative rock band Manic Street Preachers released a cover version of "Suicide Is Painless" on September 7, 1992, as "Theme from M.A.S.H. (Suicide Is Painless)". In the UK, it was a double A-side charity single to help The Spastics Society, with the Fatima Mansions' take on Bryan Adams' "(Everything I Do) I Do It for You" as the other A-side.
The song was derived from the early Manic Street Preachers songs "Go, Buzz Baby, Go" (with which it shares the chord structure and the phrase "Motorcycle Emptiness" late in the song over the verse chords) and "Behave Yourself Baby", a rough demo with a similar structure, that has the lines "All we want from you is the skin you live within", similar to "All we want from you are the kicks you've ...
Originally a "gold top" model, the guitar was refinished with a dark red stain before it got to Harrison and was nicknamed "Lucy". The guitar can be seen in the "Revolution" promotional video and the Let It Be film. Also seen in that film is a rosewood Fender Telecaster, given to him by Fender, used on Let It Be and Abbey Road (1969). [2] [3] [4]
Richard James Edwards (22 December 1967 – disappeared 1 February 1995, declared dead 24 November 2008), also known as Richey James or Richey Manic, was a Welsh musician who was the lyricist and rhythm guitarist of the alternative rock band Manic Street Preachers.
Very late reply to this but the single was released using both titles, initially Suicide is Painless (it's official title) and "Song from MASH" (re-titled probably to make it more acceptable to radio stations than something titled after suicide). 23skidoo 20:17, 5 March 2024 (UTC)
The Beatles' compilation album Anthology 1, released in 1995, had previously unreleased recordings from the group's early years. Sutcliffe plays bass with the Beatles on three songs they recorded in 1960: "Hallelujah, I Love Her So", "You'll Be Mine", and "Cayenne". [71] In addition, he is pictured on the front covers of all three Anthology albums.
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
The opening guitar solo is followed by the chorus in the key of C major, shifting between V (G on "Bungalow") and iv (Fm on "what did you"). [7] What follows is a relative minor bridge starting with Am (on "He went out") then shifting to ♭ VI (F on "elephant") and ♭ VII (G on "gun").