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The story and metaphor of The Dog in the Manger derives from an old Greek fable which has been transmitted in several different versions. Interpreted variously over the centuries, the metaphor is now used to speak of one who spitefully prevents others from having something for which one has no use.
The Dog in the Manger or The Gardener's Dog (Spanish: El Perro del Hortelano [el ˈpero ðel oɾteˈlano]) is a 1618 play by the Spanish playwright Lope de Vega. Its title refers to the proverb of the dog in the manger – it is an adaptation of a Spanish version of the story which deals with the emotional complications of class conflict. The ...
As multiple translations of several plays have been made, this covers only about two dozen of Lope's Spanish originals. By far the most frequently translated play is Fuente Ovejuna (The Sheep Well), followed by The Dog in the Manger, The Knight of Olmedo, The Silly Lady, Peribáñez and the Comendador of Ocaña, and Capulets and Montagues.
The Dog in the Manger is a story and metaphor derived from an old Greek fable. The Dog in the Manger may also refer to: The Dog in the Manger, a 1618 play by Lope de Vega; The Dog in the Manger, a Soviet musical-comedy film, based on the play; The Dog in the Manger, a Spanish film, based on the play
The Dog in the Manger (Spanish: El perro del hortelano) is a 1996 Spanish film written and directed by Pilar Miró and based on the 1618 play of the same name by Lope de Vega. Cast [ edit ]
The Dog in the Manger (Russian: Собака на сене, romanized: Sobaka na sene) is a 1978 Soviet musical-comedy film directed by Yan Frid based on the eponymous 1618 play by Lope de Vega. [ 1 ]
Mary MacDonald (Màiri Dhòmhnallach in Scottish Gaelic) (1789–1872) was a Gaelic poet and hymn writer who lived on the island of Mull, Scotland.Her best known poem is "Leanabh an Àigh", translated as "Child in Manger"; [1] it was set to a traditional Scottish tune, "Bunessan", named after her home village, where there is a memorial for her.
As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house.