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For instance, Alan Merriam, in a 1960 article, defines ethnomusicology not as the study of non-Western music, but as the study of music in culture. [8] In doing so he discards some of the 'external' focus proposed by the earlier (and contemporary) ethnomusicologists, who regarded non-Western music as more relevant to the attention of scholars.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
Non-Western music, particularly that built on pentatonic scales, is largely tuned using just intonation. In China, the guqin has a musical scale based on harmonic overtone positions. The dots on its soundboard indicate the harmonic positions: 1 / 8 , 1 / 6 , 1 / 5 , 1 / 4 , 1 / 3 , 2 / 5 , 1 / ...
Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
The Dutch Journal of Music Theory, or Tijdschrift voor Muziektheorie (ISSN 1385-3066 [print], 1876-2824 [online]) was a peer-reviewed, academic journal specializing in music theory and analysis. It appeared from 1996 until 2013 and was published by Amsterdam University Press triannually in issues of about 80 pages. [ 1 ]
Bob Brown followed the philosophy advocated by Mantle Hood, who could be considered the father of gamelan music education in the USA: that students become bi-musical. Bob Brown's own "World Music" programs from the 1960s onwards were built on the ideal of bi-musicality, which was an innovative approach to music education at the time. It ...