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The plays of William Shakespeare include several humorous references to flatulence, including the following from Othello: CLOWN: Are these, I pray you, wind instruments? FIRST MUSICIAN: Ay marry are they, sir.
In line 13, the term "lie with" also furthers Atkins's argument for an elaborate pun, declaring that the speaker lies with the mistress rather than to her. [36] Also in lines 11 and 12, much is debated over the beginning "O" of line 11. Moore interprets this interjection as impatience or sarcasm, possibly a "reason or excuse hastily tossed off."
The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). Synopsis. ... Max will step into the Othello role and pretend to be Tito. Wearing Tito's costume ...
Shakespeare's standard poetic form was blank verse, composed in iambic pentameter with clever use of puns and imagery. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones.
Clown in Othello; Clown in Titus Andronicus; Costard in Love's Labours Lost – This clown is referred to as a "fool" in Act V, scene ii, but the word in this context simply refers to a silly man. He is not simple enough to be considered a natural fool, and not witty enough to be considered an artificial one. He is rather just a man from the ...
While, sure, pun humor can be corny as hell, it can also be a very cute way to flirt with your significant other. There’s a time and place for clever-yet-corny one-liners every now and then, ...
Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]