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In Ecclesiis is one of Giovanni Gabrieli's most famous single works. An example of polychoral techniques, it also epitomizes Baroque and Renaissance styles, with its use of hexachord-based harmonies, chromatic mediants, movement by fifths, pedal points and extended plagal cadences .
Gabrieli was born in Venice.He was one of five children, and his father came from the region of Carnia and went to Venice shortly before Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli, who was employed at St Mark's Basilica from the 1560s until his death in 1585.
Gabrieli seems to have been the first to specify instruments in his published works, including large choirs of cornetti and sackbuts; he also seems to be one of the earliest to specify dynamics (as in his Sonata pian' e forte), and to develop the "echo" effects for which he became famous. The fame of the spectacular, sonorous music of San Marco ...
Pages in category "Compositions by Giovanni Gabrieli" ... In Ecclesiis; S. Sonata pian' e forte This page was last edited on 18 April 2020, at 02:52 (UTC). ...
Giovanni Gabrieli in Ecclesiis. Listen. Gabrieli also contributed many instrumental canzonas, composed for contrasting groups of players: Gabrieli Canzon Septimi Toni Gabrieli Canzon Septimi Toni. Heinrich Schütz was one of the first composers to realise the expressive potential of the polychoral style in his "Little Sacred Concertos".
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Examples of this earlier form of concerto include Giovanni Gabrieli's "In Ecclesiis" or Heinrich Schütz's "Saul, Saul, was verfolgst du mich". [7] Instrumental concerto
Andrea Gabrieli: 1532/1533 – 1585 Italian Uncle of Giovanni Gabrieli: Gianmatteo Asola: c. 1532 – 1609 Italian Claudio Merulo: 1533 – 1604 Italian Simon Moreau: fl. 1553–1558: Franco-Flemish Francesco Soto de Langa: 1534 – 1619 Italian Lodovico Agostini: 1534 – 1590 Italian Illegitimate son of Agostino Agostini: Pietro Taglia: fl. c ...