Search results
Results From The WOW.Com Content Network
Gabrieli was born in Venice.He was one of five children, and his father came from the region of Carnia and went to Venice shortly before Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli, who was employed at St Mark's Basilica from the 1560s until his death in 1585.
Giovanni Gabrieli: The 16 Canzonas and Sonatas from Sacrae Symphoniae, 1597 His Majestys Sagbutts and Cornetts, Timothy Roberts; Andrea Gabrieli: Missa Pater peccavi; Motets and Instrumental Music Timothy Roberts; Giovanni Gabrieli: Canzoni Per Sonare, Venice, 1608 by His Majestys Sagbutts & Cornetts
Giovanni Gabrieli. Symphoniae Sacrae, Book 2, for six to nineteen voices and instruments (Venice: Bartolomeo Magno for Gardano), published posthumously; Canzoni et sonate for three to twenty-two instruments with organ bass (Venice: Bartolomeo Magno for Gardano), published posthumously
Gabrieli is the only person Schütz ever called his teacher. He inherited a ring from Gabrieli shortly before the latter's death. ... Symphoniae sacrae (Book 2) (opus ...
Symphoniae sacrae I (literally: Sacred Symphonies, Book One) is a collection of different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz, published in 1629. He set mostly psalms and excerpts from the Song of Solomon for one to three voices, with various instruments and continuo.
Giovanni Gabrieli: Sacrae Symphoniae: Sacred Symphonies: 1597 (motets for voices and instruments) Symphoniae Sacrae II: Sacred Symphonies II: 1615 (motets for voices and instruments) Emmanuele Galea: B-flat major: Sinfonia Pastorale: Patorale Symphony: c. 1825: Rearranged and reorchestrated by Manuel Farrugia: José Maurício Nunes Garcia: 1 ...
Giovanni Gabrieli – Sacrae Symphoniae, Book 1, for six to sixteen voices and instruments (Venice: Angelo Gardano) Jacobus Gallus – Sacrae cantiones de praecipuis festis per totum annum for four, five, six, eight, and more voices (Nuremberg: Alexander Philipp Dieterich), a collection of motets, published posthumously; Bartholomäus Gesius
Gabrieli's Sonata pian ’e forte is a through-composed work, the structure of which is defined by dialogue between the two instrumental choirs. The formal division into an initial section (mm. 1–31), a longer, relatively complex middle section (mm. 31–71) and a final section (mm. 71–81) conforms to the conventions prevalent at the time.