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A woman performing the Pandanggo sa Ilaw A depiction of Pandanggo sa Ilaw ("Dance of Lights") by Nestor Leynes (1966) There are many versions of this dance, and each locality has its own version. Local dancers have many ways of doing the Pandanggo, but there is one thing in common between different versions: they have gay and sprightly figures.
Panglay sa Agong Sulu Tausug Panglay sa Agong is a dance that portrays two warriors who try to gain the attention of a young woman. By banging on gongs, it was the way they showed their courage and skills. [2] Pagapir Lanao Maranao Maranao people from the around the Lake Lanao have a royal manner of “walking” called the Pagapir.
One of the highlights of the Kadayawan Festival is the Indak-Indak sa Kadalanan, which translates to street dancing. [5] This is a showcase of the diverse indigenous cultures of the region. The festivities feature different communities in Mindanao dancing in vibrant costumes that highlight their indigenous heritage.
Ramon Arevalo Obusan (June 16, 1938 – December 21, 2006) was a Filipino dancer, choreographer, stage designer and artistic director. Obusan is credited for his work in promoting Philippine traditional dance and cultural work.
According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]
In 1936 he composed the accompaniment to the folk dance "Pandanggo sa Ilaw" and incorporated ethnic melodies and instruments to some of his compositions. [ 2 ] [ 6 ] He was composed the A.F.P on The March back in 1957, which is used as the marching music during ceremonies, inspection, and military graduations.
Pandanggo sa Ilaw (1966), a pre-Realism work by Leynes. Duyan ('Cradle') showing Leynes' favorite subjects - the mother and child. Mag-ina sa Banig. Leynes was strongly influenced by his professors during his time at the University of the Philippines. Among them were the Philippine National Artist Fernando Amorsolo and his younger brother Pablo ...
A procession, held immediately thereafter, consists of the three saints' images followed by bands playing instruments made of bamboo or brass, and devotees who dance the fandango while singing the hymn, Santa Clara Pinung-Pino (Saint Clare, Most Refined). The image of each saint leads the procession on his or her designated feast day.