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The leading figures of the second generation of historical dance research include Shirley Wynne and her Baroque Dance Ensemble which was founded at Ohio State University in the early 1970s and Wendy Hilton (1931–2002), a student of Belinda Quirey who supplemented the work of Melusine Wood with her own research into original sources. [9]
The New York Baroque Dance Company produces "historically accurate" performances and also "reinterprets Baroque choreography." [3] More than thirty opera productions have been commissioned for the NYBDC around the world. [4] Productions include period costumes and masks. The NYBDC offers classes.
It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List of dance style categories
After studying ballet and dance history at Ohio State University with Shirley Wynne, Turocy and six other dancers formed the Baroque Dance Ensemble which folded in 1975. . Turocy relocated to New York City and formed a new company with Ann Jacoby (who had previously danced with the Baroque Dance Ensemble) as The New York Baroque Dance Co. Turocy had met harpsichordist and conductor James ...
Allemande, from a dancing manual of c. 1769. An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.
Ken Pierce is an American performer, teacher and historian of Renaissance and Baroque dance. He trained in ballet and modern dance at the American Ballet Theatre School and the Merce Cunningham studio. He has performed with the Court Dance Company of New York, the New York Baroque Dance Company, [1] and Ris et Danceries (Paris).
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Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.