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Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches, and frequently recall the composition of the Salus Populi Romani , an ...
Pages in category "Paintings of Luke the Evangelist" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. *
Hugo van der Goes, Saint Luke Drawing the Virgin, c. 1470–80. National Museum of Ancient Art, Lisbon. Depictions of Luke drawing the Virgin rose in popularity in the mid-to-late 15th century, with van der Weyden's panel the earliest known from the Low Countries [67] – Campin's earlier treatment was by then lost. [68]
In 2011, the painting was sold at auction by Sothebys New York on behalf of the Heinz Kisters Foundation, which promotes and preserves the works of art in Heinz Kisters' collection. [ 8 ] The painting achieved the highest auction price ever for one of Titian's works , at $16.9 million, when it was sold at Sotheby's to a European telephone ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.
The Gospel accounts (Matthew 17:1–9, Mark 9:2–8, Luke 9:28–36) describe the disciples as "sore afraid", but also as initially "heavy with sleep", and waking to see Jesus talking with Moses and Elijah and emitting a bright light. The disciples are usually shown in a mixture of prostrate, kneeling, or reeling poses which are dramatic and ...
The inscription shows that Heemskerck painted the painting as much for his colleagues in the Haarlem Guild of St. Luke as for the memory of St. Luke. The various disciplines reflected in the guild at that time were painting, sculpture, pottery, wood carving, gold- and silversmith work, painting supplies, and the arts of draughtsmanship, perspective drawing, engraving and painting itself.