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Last Judgment by Gislebertus in the west tympanum at the Autun Cathedral The Temptation of Eve, detail, now at the Musée Rolin. Gislebertus of Autun (also Giselbertus or Ghiselbertus; French: Gislebert fl. 1115–1135), was a French Romanesque sculptor, whose decoration (about 1120–35) of the Cathedral of Saint Lazare at Autun, France – consisting of numerous doorways, tympanums and ...
Gislebertus' Temptation of Eve (French: La Tentation d'Ève) was originally the lintel of the north door of the cathedral. It is stated that the Temptation of Eve was created around the 1130s at the same time in which the Last Judgment and the narrative capitals were made. This large sculpture is now displayed in the Musée Rolin, Autun, France ...
The sculptures over the church's portal, particularly the Last Judgement, and the columns in the adjacent cloister, are considered some of the finest examples of Romanesque sculpture. The church was built upon the site of the 5th-century basilica of Arles, named for St. Stephen. [1] In the 15th century a Gothic choir was added to the Romanesque ...
The Autun Cathedral is famous for its architectural sculpture, particularly the tympanum of The Last Judgment above the west portal, surviving fragments from the lost portal of the north transept, and the capitals in the nave and choir. All of these are traditionally considered the work of Gislebertus, whose name is on
The final judgment of sinners by Jesus Christ; carving on the central portal of Amiens Cathedral, France.. The Last Judgment [a] [b] is a concept found across the Abrahamic religions and the Frashokereti of Zoroastrianism.
This tympanum depicts the last judgement, which was the subject of a large portion of tympanums, however, the Conques tympanum is far more detailed in its figures and scenes in a way reminiscent of Roman reliefs. This work was meant to be horrifying to the people who passed under it, on the right demons torture the souls of the damned, sinners ...
While the Vézelay lintel is devoted to the depiction of "heathens," the Autun lintel shows the damned souls on Judgment Day. The similarity between both lintels is due in large part to the fact that the same master artisan, Master Gislebertus, was the primary architect on both sites. "Gislebertus ... began his career at Cluny, then worked on ...
Both are visible on a model of the church painted by Giotto on the counter-facade (the Last Judgement). The apse was the section where Enrico Scrovegni had meant to have his tomb. The presence of frescoes dating to after 1320 supports the demolition hypothesis proposed by Giuliano Pisani. The apse, the most significant area in all churches, is ...