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Punch, 25 February 1914.The cartoon is a pun on the word "Jamaica", which pronunciation [dʒəˈmeɪkə] is a homonym to the clipped form of "Did you make her?". [1] [2]A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. [3]
A transpositional pun is a pun format with two aspects. It involves transposing the words in a well-known phrase or saying to get a daffynition-like clever redefinition of a well-known word unrelated to the original phrase. The redefinition is thus the first aspect, and the transposition the second aspect.
A Tom Swifty (or Tom Swiftie) is a phrase in which a quoted sentence is linked by a pun to the manner in which it is attributed. Tom Swifties may be considered a type of wellerism. [1] The standard syntax is for the quoted sentence to be first, followed by the pun (usually a description of the act of speaking):
One example of a feghoot is the "Forty million Frenchmen" gag ("For DeMille, young fur-henchmen...") on page 559 of Thomas Pynchon's Gravity's Rainbow. The Callahan's Bar series by Spider Robinson uses "some of the worst puns known to man.... building up to the anticipated pun with skill and flair." [2]
Artist Tavar Zawacki painted a site-specific wordplay painting in Lima, Peru, commenting on the cocaine crisis and exportation.. Word play or wordplay [1] (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement.
In fact, no ifs ands or putts, our Father's Day puns are, well, par for the course. So, read on to find just the right one to celebrate your dad and whichever you choose, one thing's for sure ...
British humour carries a strong element of satire aimed at the absurdity of everyday life.Common themes include sarcasm, tongue-in-cheek, banter, insults, self-deprecation, taboo subjects, puns, innuendo, wit, and the British class system. [1]
The mistaken identity (often of one twin for another) is a centuries-old comedic device used by Shakespeare in several of his works. The mistake can be either an intended act of deception or an accident. Modern examples include The Parent Trap; The Truth About Cats and Dogs; Sister, Sister; and the films of Mary-Kate and Ashley Olsen.