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Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on all ...
Dobro Open G: G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings). Russian-guitar Open G: The tuning of the Russian guitar; D-G-B-D-G-B-D is an open G tuning, approximately in major thirds. [12] [13]
Tuning for the resonator guitar within the bluegrass genre is most often an open G with the strings pitched to D G D G B D or G B D G B D, from the lowest to highest. Occasionally variant tunings are used, such as an open D: D A D F# A D. Other notable bluegrass players include Jerry Douglas, Mike Auldridge, Rob Ickes, Phil Leadbetter and Andy ...
Open tunings are common in blues and folk music. [23] These tunings are frequently used in the playing of slide and lap-slide ("Hawaiian") guitars, and Hawaiian slack key music. [22] [24] A musician who is well known for using open tuning in his music is Ry Cooder, who uses open tunings when playing the slide guitar. [23]
Mooney primarily used the E9 neck of the instrument; the second neck, rarely used, was set up with a dobro-style open G tuning instead of the C6 more commonly used by other players. [ 31 ] In the 1970s, after joining Waylon Jennings' band, Mooney was gifted a double-neck Sho-Bud , which maintained the setup and tuning he had developed ...
The open G tuning G-G-D-G-B-D was used by Joni Mitchell for For the Roses ("Electricity" and "For the Roses") and "Hunter (The Good Samaritan)". [12] Truncating this tuning to G-D-G-B-D for his five-string guitar, Keith Richards plays this overtones-tuning on The Rolling Stones's "Honky Tonk Women", "Brown Sugar" and "Start Me Up". [13]
Vladimir Vysotsky often tuned down a whole step, sometimes even a step and a half to an open E. Also, variations in the open G tuning were fairly common, e.g., Bulat Okudzhava would use the tuning of D 2 G 2 C 3 D 3 G 3 B 3 D 4 to play songs written in C, while bard Sergey Nikitin tuned his guitar to an open G minor: D 2 G 2 C 3 D 3 G 3 B ♭ 3 ...
Dobro was, during this period, a competitor of National. [1] The Dobro was the third resonator guitar design by Dopyera, but the second to enter production. Unlike his earlier tricone design, which had three ganged inward-facing resonator cones, the Dobro had a single outward-facing cone, with its concave surface facing up. The Dobro company ...