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Corinth had been painting self-portraits regularly since 1886, but the skeleton does not appear in any other of them. He would return to the motif of the hanging skeleton depicted with him, twenty years later, and five years after his stroke, in 1916, in The Artist and Death. This time, there isn't a studio window visible, but instead, as a ...
Othello, also known as Sailor, is an oil on canvas painting by the German painter Lovis Corinth, from 1884. It is a bust portrait of a black man who was a dock worker or sailor from the port of Antwerp, Belgium. The artist signed the painting in the upper left and titled it in the upper right with the words: "Un Othello".
The painting is listed on the German Lost Art Foundation Lostart Database [19] and on the Monuments Men Foundation's "Most Wanted List" of stolen art. [ 20 ] In June 2021, the Royal Museums of Fine Arts of Belgium in Brussels agreed to return Corinth's 1913 Blumenstilleben (Still Life with Flowers) to the heir of Gustav and Emma Mayer , who ...
Lovis Corinth – Self-portrait with skeleton; Edgar Degas – Bathers (completed) [1] Paul Dubois – Baptism of Clovis (sculpture in front of Reims Cathedral) Thomas Eakins – The Pianist; Julian Fałat – Self-portrait with palette; Luke Fildes – Frederick Treves; Paul Gauguin. Bé bé; Te tamari no atua; Self-portrait "près du Golgotha"
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The painting Self-Portrait with Charlotte Berend and Champagne Glass is one of the earliest paintings by Lovis Corinth in which he portrayed his future wife Charlotte Berend (1880–1967). Corinth met the then 21-year-old woman in 1901, after he had opened a painting school for young women in Berlin.
Saint Francis of Assisi, Saint Francis de Paul, and Saint Peter penitent; Saint Paul (Masaccio) Saint Paul (Velázquez) Saint Paul Enthroned; Saint Peter and Saint Paul (Crivelli) Saint Roderick (Murillo) San Domenico di Pesaro Altarpiece; San Zeno Altarpiece (Mantegna) São Paulo (Nuno Gonçalves) Self-Portrait as the Apostle Paul; Suardi Chapel
The painting represents fellow painter Lovis Corinth, depicted in the seated position. Corinth's body and head are seen in profile and his head is turned slightly, looking at the viewer over his left shoulder. Liebermann usually painted his models as seen from the front, with the current side portrait being an exception. [4]