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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
Sheets of 13 to 19 mm (1 ⁄ 2 to 3 ⁄ 4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the tapa. [1] A sound hole is cut on the back side.
"She Drives Me Crazy" is a song by British group Fine Young Cannibals, released in 1988 by London Records as the first single from their second and final album, The Raw & the Cooked (1989). The song was written by the group's frontman Roland Gift with David Steele and produced by FYC with David Z .
The song's drum programming was handled by DJ Head. [4] At the beginning of the song, after the music begins to play, Eminem asks "Where's my snare? I have no snare in my headphones." Eminem explained that this actually happened; the recording engineer had muted the snare drums in his headphones during the recording of the song.
Much like the bass drum, the concert toms are meant to add color and shading to orchestral music. However, it can also be used much like the snare drum. In fact, the snare drum can have the snare off, producing a high tom sound. Depending on the composer and/or music, the concert tom can be used as both.
Darius Milhaud has been named one of the foremost composers of modern (mid-20th century) music for the tabor by Morris Goldenberg. His Suite Provancale calls for tabor played along with two other drums by a single player. In classical repertoire the tabor is usually played with two sticks, as many pieces call for speeds that are unwieldy for a ...
Gated reverb on a snare drum, produced by a plugin. Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and ...
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]