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19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
In his stage designs he combined traditional Russian art with some elements of French rococo. [249] Lev Bakst studied at the Parisian Académie Julian and was a pupil of Jean-Léon Gérôme. [75] He combined Russian folk art with modern French art, with a coloristic style noted for its sense of rhythm. [250]
Most of the early 19th-century artists given in the chronological list above have been at some time grouped together under the rubric of "romanticism", including the "realists" (as the Barbizon school) and the "naturalists". Some of the most important are listed here. See also French Revolution, Napoleon I of France, Victor Hugo, orientalism.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
The French Restoration style was predominantly Neoclassicism, though it also showed the beginnings of Romanticism in music and literature. The term describes the arts, architecture, and decorative arts of the Bourbon Restoration period (1814–1830), during the reign of Louis XVIII and Charles X from the fall of Napoleon to the July Revolution of 1830 and the beginning of the reign of Louis ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The 1878 Pornokratès by Belgian artist Félicien Rops. The Decadent movement (from the French décadence, lit. ' decay ') was a late 19th-century artistic and literary movement, centered in Western Europe, that followed an aesthetic ideology of excess and artificiality.
Taking its name from medieval troubadours, the Troubadour Style (French: Style troubadour) is a rather derisive term, [1] in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. In French it also refers to the equivalent architectural styles.