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In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
By the Battle of Boston and by regulation at Valley Forge, blue coats with red facings were issued to the regiment, while most of the regiment's Riflemen continued to wear hunting shirts until wars end. The regiment served in the New York and New Jersey campaign, seeing action at the battles of Trenton, Assunpink Creek and Princeton.
The short doublet is worn over a voluminous shirt with wide ruffles at the cuffs and flat, curve-cornered collar, petticoat breeches. Young Louis XIV wears a lace-bordered linen collar, sash of the Order of the Holy Spirit, and a voluminous wig over his armor, 1661.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Indigenous peoples of the Great Plains frequently decorated their buckskin war shirts with the scalps of their enemies, [19] bone breastplates as protection from cold weapons, bear claws, porcupine quills or wolf teeth to demonstrate their hunting prowess, silver conchos made from Morgan Dollars or Mexican pesos, and elaborate glass beadwork.
Buckskins are clothing, usually consisting of a jacket and leggings, made from buckskin, a soft sueded leather from the hide of deer. Buckskins are often trimmed with a fringe – originally a functional detail, to allow the garment to shed rain, and to dry faster when wet because the fringe acted as a series of wicks to disperse the water ...