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The painting depicts Napoleon in a room of the Palace of Fontainebleau. He appears with a thoughtful expression, while he sits informally in a chair. He has the appearance of someone who has just returned from combat, while he also wears his uniform of colonel of the horse grenadiers of the Imperial Guard, with his grey frock coat.
Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon Crossing the Alps; Napoleon I as Emperor; Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon
He wanted his painting to show the contrasting world views of Napoleon and Pius, particularly the latter's moral dilemma in dealing with the perceived evil of the domineering French emperor. [ 5 ] It was exhibited at the Royal Academy 's 1836 Summer Exhibition at Somerset House . [ 6 ]
Napoleon's Return from Elba (French: Retour de Napoleon d' Isle d'Elbe) is an 1818 history painting by the German-born French artist Charles de Steuben. [1] [2] It depicts the scene at Laffrey near Grenoble on 7 March 1815 when Napoleon, having escaped from Elba, is acclaimed by the men of the 7th Regiment of the Line.
Napoleon Accepting the Surrender of Madrid; Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon I at Fontainebleau on March 31, 1814; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Nelson's ...
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Price on eBay: $400 MacBeth-Evans Petalware had a graceful, flower-like design that came in a variety of colors. Produced between 1930 and 1940, this Depression glass pattern features delicate ...
One of his best-known works was a depiction of the Siege of Paris during the Franco-Prussian War, [2] [3] painted in the form of a cyclorama, a type of large panoramic painting on the inside of a cylindrical platform designed to provide a viewer standing in the middle of the cylinder with a 360° view of the painting.