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Kleophrades did use it often and when the painter did it was a sub technique of his black-figure works. As he progresses, one side of the vase will have patterns in black figure, and the other in red, until finally, in his later work, all of the borders and patterns are done in red figure.
The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich .
Dionysus and consort, possibly Ariadne, on an amphora by the Mastos Painter. The Mastos Painter (fl. mid-6th century BC) was a painter of ancient Greek vases.He is named for a black-figure mastos used by the art historian John Boardman to illustrate the type, which is shaped like a woman's breast (Greek mastos).
The vase is symmetric all the way around the neck and top of the shoulder. The only discrepancy is that the handle is located right between side A and B. The vase changes from a symmetrical vase with nothing but patterns to a scene of Eos and Kephalos underneath the shoulder. On side A, Eos can be seen reaching out toward Kephalos.
The link to Dionysus is significant, as almost all of Python's works were found in the chamber tombs in and around Paestum, with the Dionysian theme of the youthful god giving immortality to those he loves (see Ariadne and Dionysus) to be seen in context with the hope of a happy afterlife <JPS>.
The Lenaia is depicted on numerous vases, which show both typical Maenad scenes and those of aristocrats and wine-mixing rituals.It is unknown exactly what kind of worship occurred at the festival, but it may have been in honor of Dionysus as a youth or the rebirth of Dionysus after his murder by the Titans. [2]
“The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings,” read a tweet from the official X account of the Olympics.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.