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Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
In 1945 she began her participation in the Rumberas film Rosalinda, with the famous rumba dancer María Antonieta Pons. In 1946, Barba starred in the successful film Humo en los ojos. In 1947, she participated in the film Gran Casino, Luis Buñuel's first film in Mexico, together with Jorge Negrete and Libertad Lamarque.
Aventurera has the perfect industrial film ingredients that bind to the Rumberas film genre of the 1940s and 1950s: five intermediate sung (with the voices of Ana Maria Gonzalez and Pedro Vargas), three impossible musical numbers (created by Ninón Sevilla), an emblematic story of innocence and perversion.
A feature of rumberas cinema were the exotic dances performed by women. In the image, Evangelina Elizondo performing at the Tropicana cabaret 1950. Tropical music that was popular in Mexico and Latin America since the 1930s was also reflected in Mexican cinema. Numerous music magazines were made in the 1940s and 1950s.
Juan Rogelio García García (August 4, 1897 – May 26, 1988), better known as Juan Orol, was a Spanish-born Mexican actor, film producer, director and screenwriter.Orol was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema.
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Rumberas films" The following 40 pages are in this category, out of 40 total.
Additionally, Rosa Carmina was one of the principal stars of the Rumberas film of the Golden Age of Mexican cinema in the 1940s and 1950s. Among her principal Rumberas films are Tania, the Beautiful Wild Girl (1947), Wild Love (1949), In the Flesh (1951), Voyager (1952) and Sandra, the Woman of Fire (1954), among others. In her versatile career ...